Characters, one-note and just serving their purposes to be nothing but nuisances. Story, boring as hell (though the similarity of this and Märchen Mädchen are the magical segments, but I'd take the latter any day). And apparently I don't know the people over at newbie studio Children's Playground Entertainment's work ethics are like, using a dead man's work as its first production? HELLĮverything is trash, PERIOD.
#ILLUSION REAL PLAY STUDIO SCENES SERIES#
Most of the mangaka's works are average, with Papa no Iukoto wo Kikinasai! being the best and this series being the worst. If you are still alive, please stop people from taking advantage of a deceased's work and not caring one bit about the work that you've laboriously done. Unfazed, he continues to strive to fulfill his promises and stay true to why he learns magic-to ease the sadness of people around him and, most importantly, to become a person worthy of being Hatena's partner.Ī foreword to mangaka Tomohiro Matsu: we are sorry with deep condolences for your loss of life, but some people just can't stop trashing your work a lot more. Hatena is excited to see her friend again, only to be utterly disappointed when the person she thought to be a girl all these years turns out to be a boy, leading to a bitter reunion.īefore long, Makoto comes to know of the Artifacts and the true identities of the magicians he admires. Meanwhile, her childhood friend Makoto Shiranui has come to their mansion to study magic under her father's tutelage as part of a promise they made years ago.
The Hoshisato family of magicians has special access to the Artifacts, and they take it upon themselves to return them to their rightful place.ĭespite her inexperience, Kana "Hatena" Hoshisato wishes to aid her parents Mamoru and Maeve in their quest, doing her best to improve. They fell into the hands of people who were not supposed to know of their existence, causing misfortune to those who abused their power. Years ago, many magical "Artifacts" were stolen and scattered throughout the world.
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